How To Play Jesus Just Left Chicago

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How to Play "Jesus Just Left Chicago" Without Summoning Divine Intervention (or at least getting kicked out of your apartment)

Ah, "Jesus Just Left Chicago," the ZZ Top classic that makes you wanna grab your air guitar and pretend you're Billy Gibbons himself. But let's face it, mastering that Texas blues boogie ain't exactly a walk in the park (unless that park is filled with super comfy beanbags). Fear not, fellow aspiring shredders, for this guide will have you channeling your inner beard-rockin' god in no time, even if your neighbors might think you're summoning a minor demon instead.

Step 1: Assembling Your Holy Trinity (of Gear)

  • The Axe: You can use an electric guitar (shocker, right?), acoustic (for a more folksy Jesus, perhaps?), or even a ukulele (though the folks in Chicago might have something to say about that). Just make sure it's in good working order and tuned to standard tuning (E A D G B E).
  • The Amp (Optional): If you don't want to terrify your goldfish with the raw power of rock, an amp is your friend. But hey, if you're feeling confident (or have very understanding neighbors), crank it up to 11! Just be prepared for a possible visit from the noise police (who are probably big fans of polka music anyway).
  • The Instructional Mojo: While some guitarists learn by osmosis through posters on their teenage bedroom walls, there are these things called "instructional videos" or "tabs" that can be super helpful. There's a wealth of free resources online, or you can impress your local guitar store guy with your knowledge of 70s rock and see if he has any recommendations.

Step 2: The Groove is in the Chords

This song might not have more chords than you have fingers on one hand, but don't underestimate the power of simplicity!

  • The G Chord: This is your bread and butter. It's the foundation of the entire song. There are a few ways to play it, but the basic idea is to hold down the third fret on the B string, the second fret on the G string, and the first fret on the D string. Strum with confidence (and maybe a little swagger).
  • The C Chord: Feeling fancy? Time for the C chord! This one involves the first fret on the A string, the third fret on the G string, and the second fret on the E string. Basically, it's like the G chord moved up a few frets. Shocking, I know.
  • The A Minor Chord (Kind Of): This one's a bit of a cheat code. Technically, it's a barre chord (where you use your finger to hold down multiple strings across the fretboard), but you can just play the second fret on the A string and the first fret on the E string. It adds a bit of a bluesy flair without too much finger gymnastics.

Step Step 3: Let it Rip (But Maybe Not Too Loud)

Now comes the fun part – the main riff! It's all about that chugging rhythm and those cool little bends. Here's a simplified breakdown:

  • The Chug: Strum the G chord while muting the high E string with the side of your picking hand. This creates that signature chugging sound that'll make you feel like you're driving down a dusty Texas highway.
  • The Bends: There are a couple of cool bends thrown in for good measure. Focus on bending the B string at the third fret up to a full tone (the fifth fret). It takes a little practice, but you'll get the hang of it.

Step 4: Avoiding Divine Intervention (and Noise Complaints)

  • Start Slow: Don't try to be Billy Gibbons overnight. Begin nice and slow, focusing on getting the chords and rhythm down before adding in the bends and all the fancy stuff.
  • Practice Makes Progress: Like most things in life, playing guitar takes time and dedication. Don't get discouraged if it doesn't sound perfect right away. Keep practicing, and you'll be rocking out like a pro in no time.
  • Respect Your Neighbors: Unless you live in a soundproof studio (or a cave), it's wise to be mindful of the volume, especially late at night. Headphones can be your best friend here.

Bonus Tip: For an extra dose of Texas swagger, learn to twirl a drumstick while you play. Just be careful not to poke your eye out (or anyone else's for that matter).

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